Select Page

Three Tips for Setting Up and Managing a Standard and AES67 Network

Contribution – Infrastructure – Studio

A lthough large radio stations and groups typically have the resources to develop dedicated networks for AES67 (IP audio) and for corporate traffic, small and mid-sized stations often need to pursue a less-expensive approach. Here we provide three recommendations that help smaller radio broadcasters ensure the peaceful coexistence of AES67 audio-over-IP (AoIP) traffic and standard network traffic on a single network.

Seamless Handling of AoIP and Standard Traffic on One Network

The AES67 standard makes AoIP protocols such as Dante, Livewire and Ravenna interoperable, in turn simplifying connectivity and reducing hardware and overall clutter. To identify the requirements of handling and optimizing AoIP traffic and standard traffic — web, video transfers, and corporate data — on one network, we examined the interoperability of AES67-compatible products from four different manufacturers and then created three recommendations for small and mid-sized radio broadcasters in setting up and managing AES67 (IP audio) on an existing network.

In short, we recommend the use of Internet Group Management Protocol (IGMP) snooping protocol to distribute predictable bandwidth on a high number of streams; installation of PTP (Precision Time Protocol)-enabled switches; and activation of quality of service (QoS) mechanisms to limit disruption and avoid audio glitches.

Making It Happen: Three Keys to AES67/AoIP on a Standard Network

Recommendation 1: Enable IGMP

First step: Activate the IGMP. By realizing select communications, IGMP enables the management of subscriptions to the multicast addresses. It manages the distribution of network and audio packets, in turn preventing saturation of bandwidth and reducing clutter on the network.

Recommendation 2: Consider PTP

The switch used to support this single-network model can be PTP-enabled or not. If it is, it facilitates better synchronization of the network and is less sensitive to the disruptive effects that can be generated by the corporate network. Although a PTP-enabled switch is more expensive than the alternative, its benefits often are worth the extra cost. When the switch is not PTP-enabled, synchronization or jitter problems may occur during heavy use of the network. (One way to avoid this issue is to configure the QoS present on the switches.) Without PTP support, clock jitter on AES67 traffic becomes quite high above 100 audio channels.

Recommendation 3: Configure Packet Priority via QoS

QoS is used to manage the priority of packets over the network, and it improves the network capabilities of a switch that does not contain PTP. The AES67 standard imposes rules on manufacturers regarding QoS eligibility. It integrates the management of the priorities of the IP packets and to which class of service they are associated. The equipment and the network must follow the AES67 recommendations to ensure a uniform understanding of priorities.

Optimizing the Single-Network Model

Enabling the IGMP is the most important step radio broadcasters can take to avoid saturation of the audio network, regardless of whether or not they are using a PTP-enabled switch. That said, the bottom line is that the combination of PTP and Qos makes it possible to increase the quality and quantity of available audio streams. Through our tests, we determined that the combination of a non-PTP-enabled switch with QoS enabled made it possible to exchange 120 full-duplex channels on the network without loss of packets and without any latency problems.

Conclusion: Creating an AES67 Network is an Option for All

Network audio competence is increasingly essential for radio broadcasters, but today’s AES67-compatible IP-based products for AoIP — and a few helpful tips for implementation — can go a long way in enabling small and mid-sized operations to take advantage of IP audio and its many benefits.

Related posts:

IP Brings Flexibility to Outside broadcasting

IP Brings Flexibility to Outside broadcasting the next challenge for IP-based technology is to operate with the ease of use of consumer devices What are the main advantages to using IP technology for mobile contributions? Reliability and security are the most...

An SIP infrastructure for Audio-over-IP Contribution? What for?

Unlike conventional end-to-end Audio over IP contribution using proprietary protocols, a SIP infrastructure works as a transparent codec umbrella. It provides: Strong security of all audio streams to protect the broadcaster’s IT infrastructure Simple call management...

From audio streaming to AES70 device discovery and control

From audio streaming to AES70 device discovery and control AES67 - Q&A 1) Is the role of AES67 as a sort-of bridging technology that will allow vertically integrated Audio over IP protocols, such as RAVENNA, Livewire+, WheatNet. to transport audio packets to...

AES67 for TV applications

AES67 for TV applications audio essence will no longer “follow” video; it will be produced independently and dynamically assembled with metadata in the delivery of the final content, leading to new productivity schemes B y its nature, the delivery of audio over IP...

Being a reporter in times of lockdown = challenge accepted!

BEING A REPORTER IN TIMES OF LOCKDOWN = CHALLENGE ACCEPTED! Remote broadcasting - Audio-over-IPA smart trick and flawless broadcasts from home thanks to Digigram’s IQOYA Guest Preview.Basically, reporters’ job is to “report”, therefore they need to be on the field...

IQOYA SERV/LINK: the most powerful AoIP codec in the world

While radios already offered several simultaneous audio programs, Digigram chose to propose a codec with high channel density in only 1U. This codec had to manage talk-back channels and commentaries via IP. It had to support remote broadcasting of programs between remote studios and generate multiple WEB radio streams for CDNs. This led to the creation of IQOYA SERV/LINK, an extremely reliable and compact codec.

Three Tips for Setting Up and Managing a Standard and AES67 Network

Three Tips for Setting Up and Managing a Standard and AES67 Network Contribution - Infrastructure - Studio A lthough large radio stations and groups typically have the resources to develop dedicated networks for AES67 (IP audio) and for corporate traffic, small and...

Radio Broadcasting technology: state of the art and best practices

Radio Broadcasting technology: state of the art and best practices careful engineering must identify the different failure scenarios What is the most important development happening in AoIP right now for radio broadcasters? In Outside Broadcasting, SSL and STL...

At last – a simple solution for MPX signal transport over IP!

At last – a simple solution for MPX signal transport over IP! Distribution - Infrastructure - Multiplex - Transmitter D igigram has developed a solution to transport composite MPX signals from the studio over an IP network with the same quality and reliability as a...

Five benefits of using a SaaS application for radio outside broadcasting

Five benefits of using a SaaS application for radio outside broadcasting Contribution - Infrastructure - Application The high expectations of today’s audiences are driving up content quality. Listener interests, rather than technical constraints, now dictate the...

Don't miss any articles, Subscribe to our Newsletter!

Share This